Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of Mary Cassatt 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
58312 A Corner of the Loge Mary Cassatt A Corner of the Loge A Corner of the Loge (also known as In the Box), 1879, Privately held
49806 A cup of tea Mary Cassatt A cup of tea mk205 1879 Oil on canvas 92.4x65.4cm
3131 A Kiss for Baby Anne Mary Cassatt A Kiss for Baby Anne 1897 Baltimore Museum of Art
3173 A Musical Party Mary Cassatt A Musical Party 1874
30836 A Woman and a Girl Driving Mary Cassatt A Woman and a Girl Driving mk68 Oil on canvas Philadelphia Philadelphia Museum of Art 1879 France
54454 A Woman and Child in the Driving Seat Mary Cassatt A Woman and Child in the Driving Seat mk231 1879 Oil on canvas
3142 After the Bath Mary Cassatt After the Bath   
49889 After the bath Mary Cassatt After the bath mk205 about 1901 oil on canvas 66x100cm
58308 After the Bullfight Mary Cassatt After the Bullfight After the Bullfight, 1873, Art Institute of Chicago
49887 Afternoon tea Mary Cassatt Afternoon tea mk205 1880 Oil o ncanvas 64.8x92.7cm
49833 Agatha with her child Mary Cassatt Agatha with her child mk205 about 1891 Oil on tempera 66x55.9cm
49858 Alan and Jadena Mary Cassatt Alan and Jadena mk205 1899 Oil on tempera 63.5x47.6cm
49866 Alan wearing the blue hat Mary Cassatt Alan wearing the blue hat mk205 about 1905 Oil on canvas 81.2x61cm
49822 Alexander and his son Robert Mary Cassatt Alexander and his son Robert mk205 1884-1885 Oil on canvas 99x81.2cm
3163 Alexander J Cassatt and his son Robert Kelso Mary Cassatt Alexander J Cassatt and his son Robert Kelso 1884-85 Philadelphia Museum of Art
49827 Amy and her child Mary Cassatt Amy and her child mk205 1889 Oil on canvas 89.8x64.4cm
49808 Artist Mary Cassatt Artist mk205 circa 1880 Oil on canvas 93x65cm
49809 Artist in the garden Mary Cassatt Artist in the garden mk205 1880 Oil on canvas 90.1x65cm
49810 Artist-s brother Mary Cassatt Artist-s brother mk205 1880 Oil on canvas 65.4x92.4cm
49824 Artist-s father Mary Cassatt Artist-s father mk205 1885 Oil on canvas 91.4x71cm
49803 Artist-s mother Mary Cassatt Artist-s mother mk205 1877-1878 Oil on canvas 101x81.2cm
49802 Artist-s sister Mary Cassatt Artist-s sister mk205 1878-1879 Oil on canvas 81.2x59.6cm
49805 At the garden Mary Cassatt At the garden mk205 1878 Oil on canvas 73.6x92.6cm
3180 At the Opera Mary Cassatt At the Opera 1879
3181 At the Opera Mary Cassatt At the Opera   
3182 At the Opera Mary Cassatt At the Opera   
54460 At the Opera Mary Cassatt At the Opera mk235 1880 Oil on canvs 80x64cm
3188 At the Theatre Mary Cassatt At the Theatre 1879
3189 At the Theatre Mary Cassatt At the Theatre 1879
58329 At the Window Mary Cassatt At the Window At the Window, 1889, Louvre
3162 Baby Reaching for an Apple Mary Cassatt Baby Reaching for an Apple 1893 Museum of Fine Arts, Richmond, Virginia
49836 Baby-s touching Mary Cassatt Baby-s touching mk205 1891 Oil on canvas 76.2x61cm
49820 Balcony Mary Cassatt Balcony mk205 1882 Oil on canvas 80x63.8cm
49843 Banjo class Mary Cassatt Banjo class mk205 1894 Oil on canvas 71.1x57.2cm
49837 Bath Mary Cassatt Bath mk205 1891-1892 Oil on canvas 100.3x66cm
53898 Being young girl who syr Mary Cassatt Being young girl who syr mk234 1880-82 92x63cm
49846 Betweenmaid reading for little girl Mary Cassatt Betweenmaid reading for little girl mk205 1895 Oil on tempera 60.3x73.3cm
49847 Betweenmaid with kid Mary Cassatt Betweenmaid with kid mk205 1896-1897 Oil on canvas 80x66.7cm
49840 Boy wearing the mariner clothes Mary Cassatt Boy wearing the mariner clothes mk205 1892 Oil on tempera 63.5x48.2cm
3151 Breakfast in Bed Mary Cassatt Breakfast in Bed   
49888 Breakfast on bed Mary Cassatt Breakfast on bed mk205 1897 Oil on canvas 58.4x73.6cm
49826 Child  in mother-s arm Mary Cassatt Child in mother-s arm mk205 1889 oil on canvas 63.5x48.2cm
71946 Child in a Straw Hat Mary Cassatt Child in a Straw Hat circa 1886 Oil on canvas 65.3 X 49.2 cm (25.71 X 19.37 in)
73361 Child in a Straw Hat Mary Cassatt Child in a Straw Hat Date circa 1886 Medium Oil on canvas Dimensions 65.3 X 49.2 cm (25.71 X 19.37 in) cyf
73942 Child s Bath Mary Cassatt Child s Bath 39 1/2 in. x 26 in. Courtesy of the Art Institute of Chicago, Chicago, Illinois. Date 1893(1893) cyf
3170 Child with Red Hat Mary Cassatt Child with Red Hat   
54471 Children on the Beach Mary Cassatt Children on the Beach mk235 1884 Oil on canvas 97.6x74.2cm
58324 Children on the Beach Mary Cassatt Children on the Beach Children on the Beach, 1884, National Gallery of Art
3141 Children Playing on the Beach Mary Cassatt Children Playing on the Beach   
49882 Concert Mary Cassatt Concert mk205 about 1874 Oil on canvas 96.5x66cm
31706 Dame prenant le the Mary Cassatt Dame prenant le the mk74 1885 73.7x61cm
58304 Degas, Portrait of Miss Cassatt Mary Cassatt Degas, Portrait of Miss Cassatt Degas, Portrait of Miss Cassatt, Seated, Holding Cards, c. 1876-1878, oil on canvas
48729 Detail of  The woman in Black Mary Cassatt Detail of The woman in Black mk191 Oil on canvas
42078 Drinks trying to reach an apple Mary Cassatt Drinks trying to reach an apple mk166 1893 I Wave on cloth 100x65cm Museum of Fine Arts of Virgina, Richmond, Virginia
58314 Elsie in a Blue Chair Mary Cassatt Elsie in a Blue Chair Elsie in a Blue Chair, 1880
49839 Family Mary Cassatt Family mk205 about 1892 Oil on canvas 81.9x66.3cm
3137 Feeding the Ducks Mary Cassatt Feeding the Ducks 1895 Metropolitan Museum of Art, New York
3135 Fillette au Grand Chapeau Mary Cassatt Fillette au Grand Chapeau 1908 Henry E Huntington Library and Art Gallery, San Marino, CA
44787 Fillette au Grand Chapeau Mary Cassatt Fillette au Grand Chapeau mk177 c.1908 Pastel on buff paper 25x19
48755 Float boat Mary Cassatt Float boat mk191 Oil on canvas
49844 Floating boat Mary Cassatt Floating boat mk205 1893-1894 Oil on canvas 90x117cm
3144 Gathering Fruit Mary Cassatt Gathering Fruit   
49857 Get up Mary Cassatt Get up mk205 about 1899 Oil on canvas 92.7x73.7cm
58328 Girl Arranging her Hair Mary Cassatt Girl Arranging her Hair Girl Arranging her Hair, 1886, National Gallery of Art
71345 Girl Arranging Her Hair Mary Cassatt Girl Arranging Her Hair 1886, Mary Cassatt) located inside the National Gallery of Art's West Building in Washington, D.C.
98211 Girl Arranging Her Hair 1886 Mary Cassatt Girl Arranging Her Hair 1886 1886(1886) Medium oil on canvas Dimensions 75.1 x 62.5 cm cyf
3166 Girl Sewing Mary Cassatt Girl Sewing 1880-82 Musee d'Orsay, Paris
3167 Helene Septeuil Mary Cassatt Helene Septeuil 1889 William Benton Museum of Art, Storrs, CT
49849 Hot chocolate Mary Cassatt Hot chocolate mk205 1897 Oil on canvas 54x73cm
3130 In the Garden ff Mary Cassatt In the Garden ff 1893 The Baltimore Museum of Art
58310 In the Loge Mary Cassatt In the Loge In the Loge (also known as At the Opera), 1878, Museum of Fine Arts, Boston
45400 Junge Frauen beim Obstpflucken Mary Cassatt Junge Frauen beim Obstpflucken mk181 1891 Ol auf Leinwand 130.5x90.8cm
49864 Kiss Mary Cassatt Kiss mk205 1902 Oil on canvas 83.4x69.4cm
89226 Kleines Madchen im blauen Fauteuil Mary Cassatt Kleines Madchen im blauen Fauteuil 1878(1878) Medium oil on canvas Dimensions Deutsch: 89 x 129,5 cm cjr
31705 La Lettre Mary Cassatt La Lettre mk75 1891 34.6x22.7cm
3171 Lady at the Tea Table Mary Cassatt Lady at the Tea Table 1885 Metropolitan Museum of Art, New York
54469 Lady at the Tea table Mary Cassatt Lady at the Tea table mk235 1885 Oil on canvas
54470 Lady at the Tea Table Mary Cassatt Lady at the Tea Table mk235 1885 Oil on canvas 74x61cm
56314 lady at the tea table Mary Cassatt lady at the tea table mk247 1885,oil on canvs,29x24 in,74x61 cm,metropolitan museum of art,new york,ny,usa
58326 Lady at the Tea Table Mary Cassatt Lady at the Tea Table Lady at the Tea Table, c.1884, Metropolitan Museum of Art
49877 Lady in front of the dressing table Mary Cassatt Lady in front of the dressing table mk205 1909 Oil on canvas 95.8x72.4cm
49870 lady is sewing in front of the window Mary Cassatt lady is sewing in front of the window mk205 1905-1910 Oil on canvas 80.6x60.3cm
54456 Ligttle Girl in a Blue Armchari Mary Cassatt Ligttle Girl in a Blue Armchari mk235 1878 Oil on canvas 89.5x129.8cm
58317 Lilacs in a Window Mary Cassatt Lilacs in a Window Lilacs in a Window, 1880, Metropolitan Museum of Art
40769 Little Girl in a Blue Amchair Mary Cassatt Little Girl in a Blue Amchair mk156 1878 Oil on canvas 89.5x129.8cm
3176 Little Girl in a Blue Armchair Mary Cassatt Little Girl in a Blue Armchair 1878 89.5 x 129.8 cm National Gallery of Art, Washington
3177 Little Girl in a Blue Armchair Mary Cassatt Little Girl in a Blue Armchair 1878 89.5 x 129.8 cm National Gallery of Art, Washington
58309 Little Girl in a Blue Armchair Mary Cassatt Little Girl in a Blue Armchair Little Girl in a Blue Armchair, 1878, National Gallery of Art
81802 Louisine Havemeyer and her daughter Electra Mary Cassatt Louisine Havemeyer and her daughter Electra Date 1895(1895) Medium English: oil on canvas Dimensions Deutsch: 61 x 77,5 cm cjr
44789 Lydia at a Tapestry Loom Mary Cassatt Lydia at a Tapestry Loom mk177 c.1881 Oil on cnavas 25x36
58321 Lydia at the Tapestry Loom Mary Cassatt Lydia at the Tapestry Loom Lydia at the Tapestry Loom, 1881, Flint Institute of the Arts
58316 Lydia at the Theatre Mary Cassatt Lydia at the Theatre Lydia at the Theatre, 1880, Nelson-Atkins Museum of Art
54463 Lydia Crocheting in the Garden at Marly Mary Cassatt Lydia Crocheting in the Garden at Marly mk235 1880 Oil on canvas New York
3175 Lydia in a Loge Wearing a Pearl Necklace Mary Cassatt Lydia in a Loge Wearing a Pearl Necklace 1879 31 5/8 x 23 in (80.3 x 58.4 cm) Philadelphia Museum of Art
49867 Mageter in the blue dress Mary Cassatt Mageter in the blue dress mk205 1902 Oil on canvas 61x49.8cm
3134 Margot in Blue Mary Cassatt Margot in Blue 1902 The Walters Art Gallery, Baltimore, Maryland
49804 Mary Mary Cassatt Mary mk205 circa 1879 OIl on canvas 55.4x46.1cm
49885 Mary in the garden Mary Cassatt Mary in the garden mk205 about 1880 Oil on canvas 27.3x40.6cm
49813 Mary is sewing in the garden Mary Cassatt Mary is sewing in the garden mk205 1880 Oil on canvas 66x94cm
49816 Mary is weaving Mary Cassatt Mary is weaving mk205 1881 Oil on canvas 65x92.4cm

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Mary Cassatt
1844-1926 Mary Cassatt Galleries Within months of her return to Europe in the autumn of 1871, Cassatt??s prospects had brightened. Her painting Two Women Throwing Flowers During Carnival was well received in the Salon of 1872, and was purchased. She attracted much favorable notice in Parma and was supported and encouraged by the art community there: ??All Parma is talking of Miss Cassatt and her picture, and everyone is anxious to know her??. After completing her commission for the archbishop, Cassatt traveled to Madrid and Seville, where she painted a group of paintings of Spanish subjects, including Spanish Dancer Wearing a Lace Mantilla (1873, in the National Museum of American Art, Smithsonian Institution). In 1874, she made the decision to take up residence in France. She was joined by her sister Lydia who shared an apartment with her. Cassatt continued to express criticism of the politics of the Salon and the conventional taste that prevailed there. She was blunt in her comments, as reported by Sartain, who wrote: ??she is entirely too slashing, snubs all modern art, disdains the Salon pictures of Cabanel, Bonnat, all the names we are used to revere??. Cassatt saw that works by female artists were often dismissed with contempt unless the artist had a friend or protector on the jury, and she would not flirt with jurors to curry favor. Her cynicism grew when one of the two pictures she submitted in 1875 was refused by the jury, only to be accepted the following year after she darkened the background. She had quarrels with Sartain, who thought Cassatt too outspoken and self-centered, and eventually they parted. Out of her distress and self-criticism, Cassatt decided that she needed to move away from genre paintings and onto more fashionable subjects, in order to attract portrait commissions from American socialites abroad, but that attempt bore little fruit at first. In 1877, both her entries were rejected, and for the first time in seven years she had no works in the Salon. At this low point in her career she was invited by Edgar Degas to show her works with the Impressionists, a group that had begun their own series of independent exhibitions in 1874 with much attendant notoriety. The Impressionists (also known as the ??Independents?? or ??Intransigents??) had no formal manifesto and varied considerably in subject matter and technique. They tended to prefer open air painting and the application of vibrant color in separate strokes with little pre-mixing, which allows the eye to merge the results in an ??impressionistic?? manner. The Impressionists had been receiving the wrath of the critics for several years. Henry Bacon, a friend of the Cassatts, thought that the Impressionists were so radical that they were ??afflicted with some hitherto unknown disease of the eye??. They already had one female member, artist Berthe Morisot, who became Cassatt??s friend and colleague. Degas, Portrait of Miss Cassatt, Seated, Holding Cards, c. 1876-1878, oil on canvasCassatt admired Degas, whose pastels had made a powerful impression on her when she encountered them in an art dealer's window in 1875. "I used to go and flatten my nose against that window and absorb all I could of his art," she later recalled. "It changed my life. I saw art then as I wanted to see it." She accepted Degas' invitation with enthusiasm, and began preparing paintings for the next Impressionist show, planned for 1878, which (after a postponement because of the World??s Fair) took place on April 10, 1879. She felt comfortable with the Impressionists and joined their cause enthusiastically, declaring: ??we are carrying on a despairing fight & need all our forces??. Unable to attend cafes with them without attracting unfavorable attention, she met with them privately and at exhibitions. She now hoped for commercial success selling paintings to the sophisticated Parisians who preferred the avant-garde. Her style had gained a new spontaneity during the intervening two years. Previously a studio-bound artist, she had adopted the practice of carrying a sketchbook with her while out-of-doors or at the theater, and recording the scenes she saw. Summertime, c. 1894, oil on canvasIn 1877, Cassatt was joined in Paris by her father and mother, who returned with her sister Lydia. Mary valued their companionship, as neither she nor Lydia had married. Mary had decided early in life that marriage would be incompatible with her career. Lydia, who was frequently painted by her sister, suffered from recurrent bouts of illness, and her death in 1882 left Cassatt temporarily unable to work. Cassatt??s father insisted that her studio and supplies be covered by her sales, which were still meager. Afraid of having to paint ??potboilers?? to make ends meet, Cassatt applied herself to produce some quality paintings for the next Impressionist exhibition. Three of her most accomplished works from 1878 were Portrait of the Artist (self-portrait), Little Girl in a Blue Armchair, and Reading Le Figaro (portrait of her mother). Degas had considerable influence on Cassatt. She became extremely proficient in the use of pastels, eventually creating many of her most important works in this medium. Degas also introduced her to etching, of which he was a recognized master. The two worked side-by-side for awhile, and her draftsmanship gained considerable strength under his tutelage. He depicted her in a series of etchings recording their trips to the Louvre. She had strong feelings for him but learned not to expect too much from his fickle and temperamental nature. The sophisticated and well-dressed Degas, then forty-five, was a welcome dinner guest at the Cassatt residence. The Impressionist exhibit of 1879 was the most successful to date, despite the absence of Renoir, Sisley, Manet and C??zanne, who were attempting once again to gain recognition at the Salon. Through the efforts of Gustave Caillebotte, who organized and underwrote the show, the group made a profit and sold many works, although the criticism continued as harsh as ever. The Revue des Deux Mondes wrote, ??M. Degas and Mlle. Cassatt are, nevertheless, the only artists who distinguish themselves??and who offer some attraction and some excuse in the pretentious show of window dressing and infantile daubing??. Cassatt displayed eleven works, including La Loge. Although critics claimed that Cassatt??s colors were too bright and that her portraits were too accurate to be flattering to the subjects, her work was not savaged as was Monet's, whose circumstances were the most desperate of all the Impressionists at that time. She used her share of the profits to purchase a work by Degas and one by Monet. She exhibited in the Impressionist Exhibitions that followed in 1880 and 1881, and she remained an active member of the Impressionist circle until 1886. In 1886, Cassatt provided two paintings for the first Impressionist exhibition in the United States, organized by art dealer Paul Durand-Ruel. Her friend Louisine Elder married Harry Havemeyer in 1883, and with Cassatt as advisor, the couple began collecting the Impressionists on a grand scale. Much of their vast collection is now in the Metropolitan Museum of Art in New York City. She also made several portraits of family members during that period, of which Portrait of Alexander Cassatt and His Son Robert Kelso (1885) is one of her best regarded. Cassatt??s style then evolved, and she moved away from Impressionism to a simpler, more straightforward approach. She began to exhibit her works in New York galleries as well. After 1886, Cassatt no longer identified herself with any art movement and experimented with a variety of techniques.
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